Documentary Shangri-la

an evolving and blissful hideaway for seeking and exploring documentary media culture(s)

I live for moments like this… December 18, 2007

Filed under: About Me, confessions, meta blogging — smartypants @ 4:07 pm

It has been a while since my last post…approximately 22 days and 4 months. Sometimes, one needs to go silent…like the Buddha.

In a lot of ways, I have been lost… in thought, teaching, finishing up a textbook, contemplating my career, assessing my priorities in life, thinking about the reality of procreating, training a dog, and thinking about buying a house with my partner.

But in the mean time, I have been found. I just finished all my teaching obligations for the semester, service obligations have come to a temporary halt, and email traffic has diminished. This is the moment I live for…sitting around in my PJ’s and catching up on all that really bad TV I missed. Heavenly….

Stayed tuned for a virtual cornucopia of media criticism coming your way….

 

Sliding Doors July 26, 2007

Filed under: adventures in archiving — smartypants @ 1:44 pm

Fortune Cookie at Lunch: “You are heading in the right direction”
Number of times people said to me, “That’s a good question”=7
Number of intense political conversations with DC cabbies= 2

Being back in DC brings back all kinds of emotions, memories and former ambitions. This is the place that challenged my political idealism and forced me to find new career ambitions. I was 23 then, full of energy and trying to walk in shoes that were not mine. Interning at the White House for the summer was my dream and the key to a bright future in political management, or so I thought. Ironically, that same summer, I had turned down an internship with a CBS documentary unit. I left the White House that summer with a new plan, heading to graduate school and embracing an unknown future. It hurts a little to walk around here and see the interns (and staffers) jockeying for position. I am just glad to leave the sweater set and pearls behind. It feels a little bit like that Gwyneth Paltrow movie Sliding Door (1998) where I get to see my life in a parallel universe, if I had only made a different decision. I think my fortune cookie was right. 74m.jpg

Its amazing what you can find in the Library of Congress. I am almost more distracted by watching the amazement on the faces of the library’s patrons as they open their boxes of recalled material. Yesterday, I spent the day in the music division where I somehow caused a ruckus by asking if I could copy material. There were phone calls and desk-side conferences…..and suddenly the head of acquisitions was at my rare book table. With an almost Gestapo-like approach she started going through the files on my desk inquiring about what exactly I was looking at and what I wanted to copy. I wanted to say, “Simmer down, lady. It was just a question.” But I smiled and nicely explained what I was doing.

I am learning a lot about the particulars of researching archives for documentary films. Its exciting but what a logistical headache! I like this work, I just don’t like the bureaucratic red tape associated with obtaining and copying materials. Yikes! Its enough to scare someone away or at least force someone to write a big money grant to pay for a professional to cut through the red tape. On the other hand, it is so intriguing to learn more about Burl Ives and the man who made folk music popular (yet before this project, I never heard of him). But there are tons of material to make a great documentary, if only we could clear the copywrite permissions….

 

The Summer of the Archive July 16, 2007

Filed under: adventures in archiving, documentary film and video — smartypants @ 2:02 pm

A few weeks ago, the chair of my department asked me to come into his office, the Dean wanted my input on a project. In the last few years the dean and others in the arts community have started the Embarrass Valley Film Festival. Each festival is centered around a particular artist who grew up or went to school in the local area. Last year the festival featured Burl Ives, a musician and actor of many political contradictions. Since then, the dean had secured quite a bit of money to produce a documentary trailer for a historical, PBS-like documentary on Burl Ives, in the efforts to raise more money for a larger project. The dean then asks/inquires, “…and we need your help.” Coincidently, no one in the room (besides me) had ever been a part of a documentary production process.

Now, I am no dummy, so I know that when the Dean asks for your help, there is not a lot of choice in the matter. My first question was…”Who is Burl Ives? Why do a documentary on this cat?” Now, this was an interesting moment for me because I have never been part of a project where I was hired for my skills and not driven by passion for the topic. This was…maybe…a luxury I had not fully been conscious of before this moment.

To make things trickier, all the money needs to be encumbered (i.e. needs to be spent) by the end of July. Which means, I am headin’ to Washington DC to spend some special time at the library of congress. Its kind of exciting, after spending time at archives in New York, San Francisco, Austin, Chicago…I feel like I am wrapping up the summer at the mother of all archives. The size and scope of the LOC is a bit intimidating but I feel like I am about to walk into Willy Wonka’s candy store. Its almost worth the guilt generated from the writing I am not getting done while I am traveling.

I am also hoping to do some work on the activist documentary book while I am in DC. The city is home to the Center for Social Media and a few other organizations I am interested in interviewing. Again, more discovery, less writing…the pressure of producing really sucks.

 

Vacation Therapy July 15, 2007

Filed under: Uncategorized — smartypants @ 12:45 am

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Back from Hawaii and brother’s wedding was beautiful….

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It was very hard to leave the amazing beaches and perfect weather…

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Got to spend a lot of time with special honey….

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Now I have to go back to work….and that’s a bummer….

 

The new addition to our family: June 21, 2007

Filed under: Uncategorized — smartypants @ 9:43 pm

Meet Mr. Z (aka Zeus). A big name for a little man…

 

Mainstream Media in Crisis? June 20, 2007

Filed under: Mainstream Media, problematic, social justice — smartypants @ 11:45 pm

http://www.huffingtonpost.com/nancy-cleeland-/why-im-leaving-the-l_b_49697.html

Why I’m Leaving The L.A. Times
By Nancy Cleeland

Posted May 28, 2007 | 09:35 PM (EST)

After 10 years, hundreds of bylines and some of the best experiences of my professional life, I’m leaving the Los Angeles Times at the end of this month, along with 56 newsroom colleagues. We each have our reasons for taking the latest buyout offer from Chicago-based Tribune Company. In my case, the decision grew out of frustration with the paper’s coverage of working people and organized labor, and a sad realization that the situation won’t change anytime soon.

It’s awkward to criticize an old friend, which I still consider the Times to be, but I think the question of how mainstream journalists deal with the working class is important and deserves debate. There may be no better setting in which to examine the issue: The Los Angeles region is defined by gaping income disparities and an enormous pool of low-wage immigrant workers, many of whom are pulled north by lousy, unstable jobs. It’s also home to one of the most active and creative labor federations in the country. But you wouldn’t know any of that from reading a typical issue of the L.A. Times, in print or online. Increasingly anti-union in its editorial policy, and celebrity — and crime-focused in its news coverage, it ignores the economic discontent that is clearly reflected in ethnic publications such as La Opinion.

Of course, I realize that revenues are plummeting and newsroom staffs are being cut across the country. But even in these tough financial times, it’s possible to shift priorities to make Southern California’s largest newspaper more relevant to the bulk of people who live here. Here’s one idea: Instead of hiring a “celebrity justice reporter,” now being sought for the Times website, why not develop a beat on economic justice? It might interest some of the millions of workers who draw hourly wages and are being squeezed by soaring rents, health care costs and debt loads.

In Los Angeles, the underground economy is growing faster than the legitimate one, which means more exploited workers, greater economic polarization, and a diminishing quality of life for everyone who lives here. True, it’s harder to capture those kinds of stories than to scan divorce files and lawsuits. But over time, solid reporting on the economic life of Los Angeles could bring distinction and credibility to the Times. It also holds tremendous potential for interacting with readers. And, above all, it’s important.

In a way, the Times created my obsession for economic and class issues by sending me into low-wage Los Angeles as part of a 1998 initiative to increase coverage of Latinos. I was a seasoned journalist with lots of experience in Third World countries. Still, the level of exploitation I saw shocked me. Illegal immigrants, in particular, had no rights. In a range of industries, including manufacturing and retail, they were routinely underpaid and fired after any attempt to assert rights or ask for higher wages.

That disregard for workers spread up the chain of regional jobs, just as a crash in subprime home loans eventually lowers the entire real estate market. The same is happening to various degrees across the country.

Rather than reverse those troubling trends, recent political leaders have done just the opposite. Enabled by a Milton Friedman-inspired belief in free markets and the idea that poverty is proof of personal failure, not systemic failure, federal trade and regulatory policies have consistently undermined workers. The inequities worsened under President George W. Bush, who wears his antipathy toward labor on his sleeve. But few alarms were sounded by the mainstream press, including the Los Angeles Times.

In the easy vernacular of modern journalism, the Times and other newspapers routinely cast business and labor as powerful competitors whose rivalries occasionally flare up in strikes and organizing campaigns. What I saw was that workers almost always lose. Eventually I left the labor beat and wrote about education and housing. Even there, however, I noted a lack of enthusiasm for anything having to do with the region’s working poor.

Why? The senior editors are not bad people. Like most journalists, they are in the business for the noblest of reasons. But in a region of increasing polarization, where six figure incomes put them in the top tier of the economy, they may not see the inequities in their own backyard.

I couldn’t stop seeing them. I remembered the workers who killed chickens, made bagged salads, packed frozen seafood, installed closet organizers, picked through recycled garbage, and manufactured foam cups and containers. They were injured from working too fast, fired for speaking up, powerless, invisible. I saw that their impact on all of us who live in the region is huge.

Now, like hundreds of other mid-career journalists who are walking away from media institutions across the country, I’m looking for other ways to tell the stories I care about. At the same time, the world of online news is maturing, looking for depth and context. I think the timing couldn’t be better.

With the Los Angeles Economic Roundtable, a source of economic research for 15 years, I’m exploring the development of a nonprofit online site to chronicle the regional economy from a full range of perspectives. We want to tap into the wealth of economic research being generated by academic institutions, business groups, labor unions and others, as well as the vast experience of ordinary Angelenos. After all, the economy is nothing more than how we live, work and consume, all drawn together.

Leaving a newspaper that was once my journalistic ideal is harder than I’d expected. It feels, I suppose, like walking out of a long marriage that was once filled with love and hope, but grew stale. There is nostalgia and regret, along with relief and new energy. I know it’s time to let go of the old dreams and move on to new ones. Already, the Los Angeles Times is becoming part of my past.

Nancy Cleeland

Nancy Cleeland is a Pulitzer Prize-winning journalist with an extensive background in labor, immigration and international trade. During a decade at the Los Angeles Times, she covered major labor disputes, including a port shutdown and several regional strikes, and exposed harsh conditions faced by immigrant workers. She was a lead writer on a 2004 series about Walmart’s labor policies and sourcing practices that won the Pulitzer, Polk and other prestigious awards. She’s proudest of a story on the exploitation of immigrant janitors by major supermarket chains that forced changes and brought many janitors under union contract. Her career started with the fishing beat in San Diego, but she later specialized in coverage of Latin AmeriŠ Show full bio ð
Nancy Cleeland is a Pulitzer Prize-winning journalist with an extensive background in labor, immigration and international trade. During a decade at the Los Angeles Times, she covered major labor disputes, including a port shutdown and several regional strikes, and exposed harsh conditions faced by immigrant workers. She was a lead writer on a 2004 series about Walmart’s labor policies and sourcing practices that won the Pulitzer, Polk and other prestigious awards. She’s proudest of a story on the exploitation of immigrant janitors by major supermarket chains that forced changes and brought many janitors under union contract. Her career started with the fishing beat in San Diego, but she later specialized in coverage of Latin America, including a three-year stint as a Mexico City bureau chief. Cleeland is now wrapping up a one-year appointment at UCLA’s Institute for Research on Labor and Employment, where she has been researching the state of worker protections under the Bush presidency.

 

The Project of Parellel Media June 20, 2007

Filed under: the book that is yet to be written — smartypants @ 4:03 pm

For the last seven years, my research projects have mostly revolved around activist media (noun) or media activism (verb). Sometimes these two phenomena are the same, sometimes they are not. Occasionally, an activist media text falls upon deft ears with no engagement beyond the viewing experience and conversely, media activism can emerge from the most unlikely of media events. In contemporary times, exploring and drawing the boundaries for understanding the engagement between activism and the media is tricky theoretical business. And now, my task is to narrow and focus what I am speaking about when I say “activist documentary.” One of the questions at the forefront of my mind is: How does one recognize, identify and label activist documentary? Or, in other words, how do you know it when you see it?

It was interesting to talk to people who are working on the ground, making and distributing activist media, about the function and character of these texts. Brian Drolet at Deep Dish TV in New York City had this to say:

The two interesting markers that Brian identifies are abstract but incredibly important to this discussion: that activist media (or what he terms parellel media), it is a truth telling mechanism and gives voice to the voiceless in society. In both of these characterizations, the process of political struggle is forgrounded and activist media is the megaphone of the marginalized. Which begs the question, what kind of connection must activist media have to the project of activism and the people who extend and struggle on behalf of the political work identified by an activist media text?

 

New York-Austin-San Francisco-Los Angeles-Charleston, IL June 15, 2007

Filed under: Uncategorized — smartypants @ 12:27 am

Well, I am not in Charleston yet… I leave Los Angeles on Saturday and re-enter the cornfields of central Illinois in the early evening.

I am excited but really exhausted. I have spent the last month talking to some very interesting people about the scope, potential, functions and history of activist documentary film and video from the 1970s to the present. Tracking down those who produce, write about, distribute, organize around, fund and struggle with activist documentary was not always easy. But I am grateful to the many new friends who-with such generosity-introduced me other important people connected to this work. Although these trips have felt like a literal rollercoaster ride, it felt good to wrap up my time in San Francisco having lunch with a very smart critic who exclaimed, “I think you have got something here.”

These trips to interview folks have produced many frantic moments of rethinking my positions, recognizing my biases as an academic, being creatively pushed as a documentary maker, and learning to enjoy the chaos of discovery. In the next week I hope to start posting some video and thoughts about what I learned. That is, after a long, hard sleep.

More soon–

P.S. I adopted a new puppy, cute photos forthcoming…

 

Something Feeling Like An Indiana Jones Moment… May 12, 2007

Filed under: adventures in archiving, documentary film and video — smartypants @ 12:32 am

9:30 AM: I am sitting at my new favorite coffee shop on 3rd Ave, eating my bowl of fruit and yogurt, contemplating the piles of scanning I will do today. Its only Friday and I think I have archive fatigue.

More documents…and history…and interviews…and papers. I am building up my tolerance for seeking out anything that looks like activism or politics in video history. Well, I am looking for more than activist documentary but essentially, grassroots video history in New York is intertwined with a counter-culture/hippy/avant guard artist movement. So most grassroots activist documentary is video but not all documentary video is activist. Which begs the questions, how does one assess the political and/or activist merits of a documentary? This is the matter that will plague my archiving process and essentially narrow the parameters of the book.

Yesterday, I had a face to face with the previously mentioned helper from Anthology Film Archives. He was very nice and obviously a cinephile with little patients for the likes of me (or so it seemed). The archive has lots of paper files I need to look at but no real screening material to speak of (most of their prints are in original format and difficult to watch). I was referred to Video Data Bank for those materials. After being told of their many paper treasures and armed with my laptop and portable scanner, I grabbed a cab and headed south to Anthology in the AM.

Lesson #1 for the weary anthropologist…”You Got to Roll with the Punches.”
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11:00 AM: So they set up a table in the lobby for me to work on. I set up my laptop and scanner…I am ready for history to jump up into my lap and sing to me (maybe I had too much coffee this morning). After waiting for 10-15 minutes, the archivist comes down and says…there is a problem. Yadda Yadda Yadda…boxes that I need to look at are trapped and inaccessible due to roofing project on the building. We have a very nice conversation about the acrobatics of my project and he apologizes for the mix up. So, I decide to have a nice Thai lunch and trek off to next archive hot spot, the NYU library.

Lesson #2 for the resilient anthropologist…”Ask About the Details.”
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1:00 PM: So I made arrangements to see all of the research materials generated during the development of Boyle’s Guerrilla Television book. Its the biggest find yet and lots of material to help me decipher whose doing activist work and whose primarily making video (maybe) art. Except, they have very strict rules in special collections about copying and scanning…all of it is a no no unless I get permission from head librarian who is gone for the day. So much for lugging my scanner around the city. I am only allowed to have one file at a time (there are hundreds of files and 16 boxes) and I can only have my laptop and one notepad at the table. Not even a pen, they provide me with a pencil. Lots of great finds…interviews, correspondences, flyers, video catalogues, news clippings. Lots of things that will help me for my upcoming trips to Austin, San Francisco and Chicago. I can spend days here camped out in a tent in the middle of the reading room (if they would let me). I only get through a 1/10 of the holdings before closing time but I found some real treasures! Things are coming together…

 

Adventures of Activist Documentary Girl in the City May 10, 2007

So many of my concerns about not having things to do, people to see and archives to discover was a much ado about nothing. Now, my biggest issue is deciding what I can feasibly fit into my week long adventure.

New York has brought much clarity to this book project–roughly centered on exploring the potential for documentary texts to organize and facilitate democratic culture by conceptualizing the camera as an activist tool. Essentially, it is a book with quite a broad scope as of now, focusing on the last 40 years of activist documentary. But more specifically, I am looking for documentary texts that are more than political, they open up a space for activism…and that is much harder to determine 30+ years later with little public documentation or in an archive with no supporting materials. I like this stage, collecting, exploring and learning as much as I can. Focusing this work into a manageable book project will not be so carefree or easy.

I had a chat with a wonderfully smart and helpful scholar yesterday who hooked me up with contacts, phone numbers and great ideas! I also had an interesting visit to a non-descript building that houses Paper Tiger TV and Deep Dish TV. I hit a jackpot at Paper Tiger where the office manager showed me all their training manuals for teaching community production in the last 25 years as well as a new documentary they are putting together about the collective’s history.

Today, tomorrow and Saturday are my library archive days. This portion of my trip will take me to the New York Public Library to explore the AIDS Activist Video Archive, Anthology Film Archives and the NYU Library to check out Deirdre Boyle’s interview transcripts from her book on the guerrilla television movement. Thank you Deirdre for archiving your work in a library so other can build on it! This little discovery helped focus my time here in NYC on things other than trying to track down video activist from the 1970s…I’ll save that for another trip.